Caring for a Deteriorating Plastic Handbag
A deteriorating synthetic accessory can hold important evidence. Its care begins by asking whether an ugly surface is dirt, material change, or both.
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About the author
Ada Quill
I write about material culture, archives, and conservation. My interests include the histories held in paper, pigments, photographs, textiles, and recordings, and the choices involved in keeping those materials accessible.
At Objects and Afterlives, I draw on museum collections, conservation accounts, and original research to explore what objects can tell us about their making, use, and repair.
Stories by Ada Quill
12 stories
Why a museum measures the light on a page
A lux reading records the light falling on a page at one moment. Conservators also weigh time on display, past exposure and the most fragile color on the sheet before deciding how long the original can be seen.
The Manufacturing History Inside a Blank Page
Rag preparation, mould marks, and conservation lighting make historical paper readable even where nobody has written a word.
The salt hidden inside an excavated pot
A ceramic vessel can look sound when it leaves wet soil and shed flakes years later. The damaging salt may be inside its pores; removing it takes more than rinsing, and the safest treatment depends on the clay, surface and evidence the object carries.
The Colors and Supports Behind a Historical Tapestry
Brighter reverses, weakened yarns, and carefully designed mounts complicate the wish to restore every historical textile to its original color.
Egyptian Blue in the Shadows of Ancient Faces
Egyptian blue turns up in flesh tones and gray backgrounds. What technical imaging reveals about ancient painting—and what it cannot tell us by itself.
The Material Choices Behind a Restored Film
Acetate decay and film restoration reveal a chain of decisions about materials, source versions, color, and the continuing care of a digital result.
Finding a Portrait in a Daguerreotype’s Mercury
Mercury maps can reveal faces in badly tarnished daguerreotypes. Recovering information and restoring a photograph’s appearance are different achievements.
The Differences Held in Rembrandt’s Printed Impressions
Rembrandt’s impressions reveal how burr, ink, support, and revision make repetition a way of noticing difference.
How the Archimedes Palimpsest Became Readable
Why the Archimedes Palimpsest needed years of conservation, dissatisfied readers, and careful metadata before its spectacular images became useful evidence.
Keeping Vasa Afloat on Land
Vasa’s treatment history shows how conserving a ship can require new materials, better climate control, replacement bolts, and a willingness to revisit an earlier solution.
How a Recording Outlives Its Record
Lacquer-disc preservation shows why a digital transfer needs skilled playback, original context, and a record of the decisions that made a historical voice audible.